如何成為福爾摩斯 第23期

　　The prospect of this momentous encounter between Holmes and Freud was quickly snapped up by Universal Studios, with a screenplay, adapted by Meyer, featuring Nicol Williamson and Robert Duvall as Holmes and Watson, together with Alan Arkin as Sigmund Freud.

　　福爾摩斯和弗洛伊德相遇的橋段迅速被環(huán)球影音拍成電影，由梅耶改編劇本，由尼科·威廉森和羅伯特·杜瓦爾飾演福爾摩斯和華生，阿蘭·阿金飾演西格蒙·弗洛伊德。

　　This is all about a movie about very smart people.

　　這部電影中都是聰明人。

　　Freud's a smart person, Holmes is a very smart person, and Watson is no dummy in this. He's not a buffoon.

　　弗洛伊德很聰明，福爾摩斯很聰明，華生也不蠢，他不是一個小丑。

　　So the idea of having three actors where you can see the wheels turning, all the three dimensionality that I hoped was somehow in the book on display.

　　你可以看到這三個演員，你可以看見大腦的飛轉(zhuǎn)，把書中三人的思考搬上熒幕。

　　What was this wickedness?

　　這是什么可怕的東西?

　　福爾摩斯 可可英語.jpg

　　Under analysis, Freud coaxes the images from Holmes's subconscious and uncovers a deep-rooted family secret that goes a long way to explaining Holmes's mistrust of women.

　　據(jù)分析，弗洛伊德從福爾摩斯的潛意識里騙出只字片語，發(fā)現(xiàn)了福爾摩斯家族古老的秘密，解釋了福爾摩斯對女人的不信任。

　　My mother deceived my father.

　　我媽媽騙了我爸爸。

　　She had a lover? -Yes.

　　她有情人了?-是的。

　　And what was the injustice? What was the injustice?

　　后來發(fā)生了什么可怕的事情?可怕的事情是什么?

　　He shot her.

　　他殺了她。

　　Sherlock Holmes goes on the couch. He's analysed by Freud in "The Seven-Per-Cent Solution", and I think it absolutely reflects people's preoccupations of that moment.

　　福爾摩斯躺在沙發(fā)上。在《百分之七溶液》中，弗洛伊德在解讀他，我覺得這一幕完全地表現(xiàn)了人們的成見。

　　That idea of exploring the self, of finding out who you really are, breaking through the barriers of perception.

　　對自己的解讀，發(fā)現(xiàn)最真實(shí)的自己，沖破觀念的禁錮。

　　And in a rare on-set interview, Nicol Williamson offered a revealing self-analysis of his own.

　　在一次珍貴的拍攝訪談中，尼科·威廉森也發(fā)表了一份真實(shí)的自我剖析。