心靈美文_石上的影子 The Shadow on the Stone

看盡繁華,才懂淡然;經(jīng)歷磨礪,才得從容;讀懂人心,才知隨緣。夜深人靜的時(shí)候，聆聽(tīng)來(lái)自心靈的呼喚。走進(jìn)心靈，體會(huì)初衷。以下是聽(tīng)力課堂小編整理的心靈美文_石上的影子 The Shadow on the Stone的資料，希望你會(huì)喜歡!

 文字難度：★★★

I went by the 1)Druid stone
That 2)broods in the garden white and lone,
And I stopped and looked at the shifting shadows
That at some moments fall 3)thereon
From the tree 4)hard by with a rhythmic swing,
And they shaped in my imagining
To the shade that a well-known head and shoulders
Threw there when she was gardening.

我漫步經(jīng)過(guò)德魯伊石,
它呆立在花園里,白燦燦,孤孤單單。
旁邊大樹(shù)的枝葉配合著韻律搖擺,
我駐足凝視
偶爾落在石上的婆娑樹(shù)影。
在我的遐想中,
樹(shù)影化為我熟悉的人兒
在園中勞作時(shí)的身影。
 
I thought her behind my back,
5)Yea, her I long had learned to lack,
And I said: “I am sure you are standing behind me,
Though how do you get into this old track?”
And there was no sound but the fall of a leaf
As a sad response; and to 6)keep down grief
I would not turn my head to discover
That there was nothing in my belief.

我想準(zhǔn)是她站在我身后,
對(duì),是她,我痛失已久的她。
我說(shuō)道:“我知道你就站在我身后,
可你怎么又到這熟悉的舊徑上來(lái)?”
周圍寂然無(wú)語(yǔ),惟有一葉飄落
凄然作答;為抑悲傷,
我不愿回頭張望,
怕看不到我期待的身影。
 
Yet I wanted to look and see
That nobody stood at the back of me;
But I thought once more: “7)Nay, I’ll not unvision
A shape which, somehow, there may be.”
So I went on softly from the 8)glade,
And left her behind me throwing her shade,
As she were indeed an 9)apparition—
My head unturned lest my dream should fade. 
 
背后到底有沒(méi)人,
我真想看個(gè)究竟。
但轉(zhuǎn)念一想:“不能讓這影像消失,
她或許就站在我身后?！?
于是我悄悄離開(kāi)花園,
把她的身影留在我身后。
她確是魅影——
我沒(méi)有回頭,怕夢(mèng)想破滅。

　　Thomas Hardy(1840—1928),英國(guó)著名詩(shī)人、小說(shuō)家,其早期和中期的創(chuàng)作以小說(shuō)為主,繼承和發(fā)揚(yáng)了維多利亞時(shí)代的文學(xué)傳統(tǒng),晚期則以其出色的詩(shī)歌開(kāi)拓了英國(guó)20世紀(jì)文學(xué)的新局面。1891年完成的Tess of the d’Urbervilles(《德伯家的苔絲》)是其最優(yōu)秀的小說(shuō),但小說(shuō)發(fā)表后被指責(zé)有傷風(fēng)化;而他于1896年完成的小說(shuō)Jude the Obscure(《無(wú)名的裘德》)也引來(lái)了不少人的激烈攻擊,這使得哈代憤而停止了小說(shuō)創(chuàng)作,轉(zhuǎn)而全力作詩(shī)。他生前一共出版了八部詩(shī)集,近千首主題多樣的詩(shī)歌。
　　哈代1874年和艾瑪結(jié)婚,盡管婚后,他和艾瑪之間出現(xiàn)了隔閡,但1912年艾瑪?shù)碾x世使他悲痛不已。他重回從前兩人熱戀時(shí)去過(guò)的地方,憶起往昔美好的愛(ài)情,不禁情動(dòng)不已,寫(xiě)下了許多情感真摯的悼念詩(shī)。在這些詩(shī)里,艾瑪被理想化、美化,乃至神化,儼然一個(gè)楚楚動(dòng)人的完美愛(ài)人。
　　The Shadow on the Stone這首詩(shī)獨(dú)具匠心,描寫(xiě)了詩(shī)人在花園里散步到最后離開(kāi),期間懷揣的動(dòng)人幻想——落在石上的婆娑樹(shù)影仿若妻子平日里勞作的背影,感覺(jué)妻子就站在自己身后,卻壓抑著驚喜不敢回頭張望,怕只是自己的一時(shí)錯(cuò)覺(jué),所以寧可握緊這美好的幻想離去。這種由愛(ài)和思念引發(fā)的矛盾心理叫人心碎,也使得整個(gè)散步過(guò)程顯得尤為動(dòng)人且憂傷。