雙語(yǔ)：埃及艷后傳奇故事

Three centuries later, shortly before the birth of Christ, Egypt was still ruled by a living goddess, Cleopatra, a Greek descended from one of Alexander’s generals. She looked back to the Golden Age of Alexander’s world empire and was determined to do even better herself.
耶穌誕生的三百年后，埃及依然在克莉奧帕卓女王的統(tǒng)治下，她是亞歷山大大帝手下一名將領(lǐng)的后代。她一面追懷著亞歷山大帝國(guó)的黃金時(shí)期，一面決意自己做得更出色。

Alexander died at the age of 32. By the time Cleopatra was 23, she had gone ever further than Alexander making her entrance into Rome as Queen of Egypt and consort of Julius Caesar, the most powerful man in the world.
亞歷山大于32歲駕崩，當(dāng)時(shí)埃及艷后僅23歲，她遠(yuǎn)行得疆界比亞歷山大更遠(yuǎn)，她以埃及王后和世界上最有權(quán)力的人——朱利安·愷撒情人的身份走進(jìn)羅馬。

These were complex times. To keep your throne, you had to be adaptable, ruthless, intelligent and a great politician. Cleopatra had all these traits which is why history has provided us with lots of interpretations of Cleopatra. Renaissance poets saw her as a heroine dying for love. And painters alluded to her eroticism in their bare breasted portrayals of the dying queen. Hollywood reinforced the image of Cleopatra as a vamp starting with Theda Bara’s seductive portrayal in 1917.
當(dāng)時(shí)局面非常復(fù)雜。要保住王位則必須是一名靈活，無(wú)情、機(jī)智兼出色的政客。這些特點(diǎn)埃及艷后全部具備，這也解釋了為什么我們會(huì)從歷史上看到關(guān)于她的多種不同說(shuō)辭。文藝復(fù)興時(shí)期的詩(shī)人將她視成為愛(ài)情獻(xiàn)身的女英雄。畫(huà)家們把她描繪為裸胸垂死的貪欲的女王。好萊塢的電影強(qiáng)化了她的蕩婦形像——第一部始于桑德·芭拉在1917年媚人的扮演。

But who was the real Cleopatra? What did she really look like?
可是埃及艷后究竟是什么樣的人？她的外貌是怎樣的呢？

圖為泰勒所扮演的艷后形象

We’re in Berlin because this is the best portrait of Cleopatra in the world. There are very few ancient sculptures that are existing. So this is probably as close as we’re ever going to get to how she really looked. She’s rather plain looking, isn’t she? Look at her hair. It’s tied up in a simple bun. It’s a classical Greek hairstyle. It’s practical but not exactly designed to captivate a Roman general.
于是我們來(lái)到了柏林，這兒有全世界最好的埃及艷后的肖像?，F(xiàn)在僅存的古代雕像已是鳳毛麟角，所以這一尊也許能幫助我們盡多地了解她的外貌。她長(zhǎng)得挺平常的，是不是？看看他的頭發(fā)，結(jié)的是個(gè)簡(jiǎn)單的髻。這是希臘古典發(fā)型。風(fēng)格樸實(shí)，并非特別設(shè)計(jì)來(lái)俘獲羅馬將領(lǐng)的愛(ài)情。

We know from ancient sources that her hair was a reddish color, wavy. But look at her nose. It’s a little bit too long and hooked at the end. And her mouth, is not exactly sensual. She’s not wearing any jewelry. There are no earrings, no necklace. This is not the portrait of a femme fatale.
我們從古代資料了解到她的頭發(fā)是淺紅色的，有波紋的?？汕扑谋亲樱巧杂悬c(diǎn)長(zhǎng)的鷹鉤鼻。嘴也算不上性感。她不飾帶任何珠寶。沒(méi)有耳環(huán)，沒(méi)有項(xiàng)鏈。這并非一個(gè)性感尤物的相貌。

The ancient sources tell us she was intelligent, witty, charming, a linguist and along with this, she had a tremendous determination. It was this amazing combination of abilities that made Cleopatra the most famous woman in history. It wasn’t her beauty.
古代資料還告訴我們，她聰明、詼諧、迷人、精通多種語(yǔ)言，而且，她還具有堅(jiān)強(qiáng)的意志，這是這些驚人的特質(zhì)組合在一起，使得埃及艷后不只靠美貌著稱(chēng)于世。

Women in Egypt had always been powerful: Queen Hatshepsut, Nefertiti and now Cleopatra. But during the era of the Ptolemy’s, the role of Greek women had changed. They gained an identity apart from that of their husbands or families. Women participated in the arts and civic life and marriage became a union of two people, not just two houses. The portraits of the women of this period show strong individuals looking back at you with confidence. They’re almost haunting. Women would not have this power again until the 20th century. Cleopatra was well educated, strong minded with ideas of her own and a female.
過(guò)去，埃及婦女的勢(shì)力向來(lái)不弱，如：哈特謝普蘇特女王、奈費(fèi)爾提蒂女王，以及想在這位克莉奧帕卓女王。但在托勒密王朝時(shí)期，希臘婦女的角色改變了。她們?nèi)〉锚?dú)立于丈夫和家庭外的身份，參與到藝術(shù)和市民生活中，并以?xún)蓚€(gè)個(gè)人而不是兩家人的名義締結(jié)婚姻。這一時(shí)期的婦女形象表現(xiàn)除了強(qiáng)烈的個(gè)性與自信。那令人印象深刻。21世紀(jì)以前婦女們都沒(méi)有再擁有過(guò)這種權(quán)力。埃及艷后便是受過(guò)良好教育、意志堅(jiān)強(qiáng)、有自己思想的一位女性。

As a intellectual, Cleopatra would have been heartbroken: when during fighting between Egyptians and Caesar’s Roman troops, there occurred one of the greatest tragedies of the ancient world - the burning of the library of Alexandria. It’s sad to think about what was lost in the fire at Alexandria. There are the missing manuscripts of Aristotle and Plato. They were probably there. There was an entire room with editions of Homer. Maybe even there were early manuscripts of the Old Testament, which could probably help settle Biblical questions today.
在埃及人與愷撒的羅馬軍隊(duì)作戰(zhàn)期間發(fā)生了古代一大慘劇——亞歷山大圖書(shū)館的焚毀。作為一位知識(shí)人士，這一悲劇定曾讓埃及艷后為之哀慟不已。要說(shuō)亞歷山大圖書(shū)館在那次火災(zāi)中的損失是令人傷心的。遺失的亞里土多德和伯拉圖手稿估計(jì)就在其中。有一整個(gè)房間里放的是荷馬的作品。如果《圣經(jīng)舊約》的早期文稿沒(méi)有在那時(shí)遺失的話，也許今日我們對(duì)《圣經(jīng)》的許多疑惑已經(jīng)解開(kāi)了。

Cleopatra was eventually able to replace 200,000 of the manuscripts. Books were very important to her. It’s ironic that today everybody knows her for her beauty, but it was her intelligence that was most important asset she had.
埃及艷后最后找回了二十萬(wàn)冊(cè)文稿。書(shū)籍對(duì)她太重要了。諷刺的是她以美貌蜚聲于今日世界，而其實(shí)智慧才是她最最可貴的資產(chǎn)。