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書(shū)蟲(chóng)2級(jí)《陷坑與鐘擺》橢圓形的畫(huà)像

所屬教程:書(shū)蟲(chóng)2級(jí) 陷坑與鐘擺

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2022年07月25日

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The Oval Portrait

I was in the Italian mountains when I fell from my horse and hurt myself. I needed to rest but in that wild, lonely place there was only one house. It was a fine old building, very big, but dark and empty. My servant, Pedro, broke the lock on a door and helped me inside.

I looked around at the furniture, the carpets, the paintings.'The people who lived here,' I thought, 'left only a short time ago.'

We used one of the smaller rooms in a far corner of the building. There were a great many modern paintings on the walls, and more in the dark corners of the room. It was getting dark and Pedro lit the tall candles on the table by my bed. There was a book on the table, and I began reading it. It described and told the story of each of the pictures on the walls.

Midnight came and went, and I moved the candles closer to me, to give a better light for reading. But the light also fell on one of the darker corners of the room – and there I saw for the first time an oval portrait of a beautiful young woman, just her head and shoulders. It was a very fine painting, but there was also something different about it, something strange, something... I did not know what it was, but I could not take my eyes away from that portrait. For about an hour I sat in the bed, staring at it.

It was a very fine painting, but there was also something strange about it.

And at last I found its secret. It was in her face, in her eyes.'She could easily be... alive,' I thought. 'She looks alive. Those eyes...'

Suddenly I felt cold, and a great fear filled me. My hands began to shake, and I had to look away.

Carefully, I moved the candles again until the light no longer fell in that corner, and the portrait went back into darkness. I found the place in the book which told the story of the oval portrait, and began to read.

She was a young woman of great beauty, and even more beautiful when she was smiling and laughing.

It was a dark day when she saw, and loved, and married the painter. He was already famous for his art, and was always studying and working. The great love of his life was his work, his painting.

His beautiful young wife was playful, full of life and light and smiles, as happy and as loving as a child. But she learned to fear and then to hate everything about painting. Her husband's work was her enemy, because it kept him away from her, hour after hour.

So it was a terrible thing for her when he said he wanted to paint her portrait. But she agreed because she loved him and wanted to please him.

For many weeks she sat in a dark high room where the light from above fell onto the painting and onto her. Day after day, she sat still and silent, not moving, not speaking. But she went on smiling and smiling because she saw that the painter loved his work so much.

He painted hour after hour, not speaking a word, thinking only of his work. Those who saw the portrait looked and said softly, 'It is your finest work. Oh, you do love her dearly! We can see this in the portrait.'

And it was true. But he did not look at her now. He went on working, more and more wildly, thinking and dreaming only of the portrait and never of his wife. Day by day she looked more and more unhappy, but he did not see it. Her face and body were now thin, but he did not see it. He took the warm colour from her face, and painted it into the face in his portrait – but he could not, he would not see it.

He painted hour after hour, not speaking a word, thinking only of his work.

After many weeks, he finished. One last touch of paint on the mouth, a last touch to the eye...

The painter stood back and looked at the portrait of his wife. How wonderful it was! But while he stared, he began to shake and his face went white. Then he cried out with a loud voice, 'This is LIFE itself! She LIVES in this portrait!' and he turned suddenly to look at the woman he loved. She was dead!

* * *

playful adj. very active, happy, and wanting to have fun 活潑的

touch n. a small detail that improves or completes something (畫(huà)筆等的)輕觸,一筆

橢圓形的畫(huà)像

我身處意大利的群山之中,卻從馬上掉下來(lái),受了傷。我需要休息,可是在那人跡罕至的蠻荒之地只有一座房子。那是一座頗為精美的老房子,房子很大,但是陰暗且空蕩蕩的。我的仆人佩德羅把門(mén)鎖撬開(kāi),扶我走了進(jìn)去。

我打量著四周的家具、地毯和畫(huà)作?!白≡谶@里的人,”我想,“是不久前才離開(kāi)的。”

我們占用了房子偏遠(yuǎn)角落的一個(gè)小房間。墻上掛著很多現(xiàn)代畫(huà)作,房間黑暗的角落里還有更多的畫(huà)。天色漸暗,佩德羅點(diǎn)亮了我床邊桌子上高高的蠟燭。桌上擺著一本書(shū),我開(kāi)始讀了起來(lái)。書(shū)里描述的都是墻上一幅幅畫(huà)作的故事。

午夜來(lái)而復(fù)去,我把蠟燭向自己這邊挪了挪,好讓光線更亮一些,便于讀書(shū)。而燭光也落在了房間一個(gè)比較黑暗的角落里——在那兒,我初次看見(jiàn)了一幅年輕美人的橢圓形畫(huà)像,畫(huà)像上只有她的頭部和肩膀。那幅畫(huà)筆觸精細(xì),但與此同時(shí)也讓人感覺(jué)有些不一樣,有些奇怪,有些……我不知道是哪里不對(duì)勁,但我無(wú)法把目光從畫(huà)像上移開(kāi)。我坐在床上盯著畫(huà)像,看了大概有一個(gè)小時(shí)。

最后我終于發(fā)現(xiàn)了它的秘密。秘密就在她的臉上,在她的眼睛里?!八?jiǎn)直就像……活的一樣?!蔽蚁耄八瓷先ヨ蜩蛉缟?。那雙眼睛……”

突然我感到渾身發(fā)冷,心里充滿了巨大的恐懼。我的雙手開(kāi)始發(fā)抖,我趕緊把目光移開(kāi)。

小心翼翼地,我再次挪動(dòng)蠟燭,直到燭光再也照不到那個(gè)角落,那幅肖像又回到黑暗之中。我在書(shū)中翻到了講述這幅橢圓形畫(huà)像的故事之處,便開(kāi)始讀了起來(lái)。

她是位美若天仙的年輕女子,她一笑,那種美麗就更增添幾分。

一個(gè)黑暗的日子里,她與一位畫(huà)家相遇、相愛(ài),并結(jié)為了夫妻。這位畫(huà)家當(dāng)時(shí)已因畫(huà)作聞名,他總是在學(xué)習(xí)和作畫(huà)。他生命中的至愛(ài)就是他的工作,他的畫(huà)。

他年輕美麗的妻子天性活潑,充滿朝氣,開(kāi)朗愛(ài)笑,像孩子一樣快樂(lè),對(duì)一切都充滿了愛(ài)??墒撬龑W(xué)會(huì)了害怕,學(xué)會(huì)了憎恨一切跟畫(huà)畫(huà)有關(guān)的事。她丈夫的工作是她的敵人,因?yàn)楣ぷ魇顾B續(xù)好幾個(gè)小時(shí)不能與她在一起。

所以,那個(gè)提議——他說(shuō)他想給她畫(huà)幅肖像——對(duì)她來(lái)說(shuō)實(shí)在是件可怕的事。但是她同意了,因?yàn)樗龕?ài)他,想要讓他高興。

長(zhǎng)達(dá)好幾周的時(shí)間里,她坐在一個(gè)高頂?shù)陌凳依?,燈光從頂上照射到?huà)作和她的身上。日復(fù)一日,她靜靜地坐著,一動(dòng)不動(dòng),一聲不吭。但她一直微笑著,因?yàn)樗吹疆?huà)家是如此熱愛(ài)他的工作。

他連續(xù)幾個(gè)小時(shí)畫(huà)著畫(huà),一句話也不說(shuō),心里想的只有他的畫(huà)。那些看到肖像的人都邊觀賞邊輕聲說(shuō):“這是你最好的作品。噢,你是那么愛(ài)她!我們能從肖像上看出來(lái)?!?/p>

的確如此??涩F(xiàn)在他不再看她了。他繼續(xù)畫(huà)著,越來(lái)越癡狂,心里想的、晚上夢(mèng)的只有那幅肖像,沒(méi)有他的妻子。日復(fù)一日,她看上去越來(lái)越不開(kāi)心,可是他沒(méi)有看出來(lái)。她的臉龐和身體變得瘦削,可是他沒(méi)有看出來(lái)。他從她臉上取走了溫暖的色彩,把它畫(huà)到了肖像里的那張臉龐上——可是他沒(méi)有看出來(lái),也不想看出來(lái)。

數(shù)周之后,他完成了畫(huà)作。最后給嘴唇點(diǎn)上一抹顏色,給眼睛涂上一抹顏色……

畫(huà)家后退幾步,看著他妻子的肖像。它是多么美妙呀!可就在他凝視肖像時(shí),他開(kāi)始渾身發(fā)抖,臉色也變得蒼白。然后,他大聲喊了起來(lái):“這就是生命!她活在這幅肖像里!”然后,他突然轉(zhuǎn)身去看他愛(ài)的那個(gè)女人。她已經(jīng)死了!

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